Q. How can the challenge of interaction in video content be managed?

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Q. What is a common approach to accessing silent movies online through a hypertext system?

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Q. What is the purpose of incorporating video clips into a prototype website for the Hunterian Museum?

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Q. What is a potential issue related to the memory requirements of audio and video material in hypertext systems?

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Q. How do gaming stations effectively manage the interaction between video and other material?

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Q. How can audio material be used in hypertext systems for background purposes?

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Q. What is the challenge in compressing sound for multimedia use?

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Q. What is the function of MIDI files in multimedia?

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Q. Why should audio be used with care in multimedia interfaces?

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Q. What insight can interface designers gain from drama theory for multimedia design?

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Q. What is one reason moving images hold a hypnotic hold over viewers?

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Q. What role does drama theory play in HCI design?

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Q. Why is it important for multimedia designers to consider users' environment and context?

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Q. What advantage does a computer offer in terms of displaying content?

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Q. How can more interactive hypermedia engage users beyond passive content?

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Q. What does the term "ActiveX components" refer to?

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Q. What is one advantage of delivering hypertext on a CD-ROM?

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Q. Why might it be impractical to store media-rich hypertexts with substantial graphics, video, and audio clips on a computer's hard disk?

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Q. What is one characteristic of DVD delivered material?

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Q. In terms of hypertext and multimedia, what do intelligent components or agents do?

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